In may we had the most complex experiment at the moment, you can call it an photobook opera. Juan Cires mixed all the media he was able to -lecture, painting, cinema, music, speech…- and a live performance with actual photobooks to tell a story and called it ‘Fuga’ [Fugue]. As it is also a bit complex for me to explain, let’s see the video he made with all those works:
It’s only subtitled in spanish. And it’s also published in his website devoted to photobooks cuatrocuerpos.com
This session was announced with this poster made by Juan Cires:
- Poster for ‘Fuga/Fugue’, the bookjockey session by Juan Cires in BlankPaper on may 2013
As you can see in the credits, ingredients for a ‘Fugue’ are:
Свой среди чужих, чужой среди своих (At Home Among Strangers, a Stranger Among His Own)
Nikita Mijalkov (direction), Eduard Artémiev (music), et. al.
Mosfilm, 1974
The Crying of Lot 49
Thomas Pynchon
J. B. Lippincott, 1965
Bordando el manto terrestre (Embroidering Earths Mantle)
Remedios Varo
1961
Punto de fuga (Vanishing point)
Franco Farinelli
interview by Helena Tatay for Cartografías Contemporáneas exhibition by Obra Social La Caixa, 2012
Piedra fundamental (Cornerstone)
Alejandra Pizarnik
in El infierno musical, Siglo XXI, 1971
reading and realization by Alejandra Moglia
hablodemi.wordpress.com
Pavane pour une infante défunte
Maurice Ravel
1899
L’important c’est d’aimer (That Most Important Thing: Love)
Andrzej Zulawski (direction), Ricardo Aronovich (photography),
Georges Delerue (music), et. al.
S. N. Prodis, 1975
Heads
Philip-Lorca diCorcia
Steidl, 2001
La Justa (Jousting)
Mateo Flecha
1581
The Searchers
John Ford (direction), Winton C. Hoch (photography), et. al.
Warner Bros., 1956
Elisabeth – I want to eat
Mariken Wessels
Alauda Publications, 2008
Queen Ann. P.S. Belly cut off
Mariken Wessels
Alauda Publications, 2010
El Pony Bravo
Pony Bravo
in Si bajo de espalda no me da miedo
El Rancho, 2008
Sunrise: A Song of Two Humans
F. W. Murnau (direction), Charles Rosher, Karl Struss (photography), Maurice Baron (música), et. al.
Fox Film Corporation, 1927
Far Cry
Paolo Nozolino
Steidl, 2005
Love on the left bank
Ed van der Elsken
Dewi Lewis Publishing, 1999
reedition of original book published by Bezige Bij, Rowohlt Verlag and André Deutsch on 1956
Ne me quitte pas
Jacques Brel, 1959
performed by Pau de Nut
Зеркало (The Mirror)
Andréi Tarkovski (direction), Georgi Rerberg (photography), Eduard Artémiev (music), et. al.
Mosfilm, 1975
Gitanos (Gypsies)
Josef Koudelka
Lunwerg, 2011
Fiction
Michael Ackerman
Delpire, 2001
Shadow Chamber
Roger Ballen
Phaidon, 2005
Beautiful Boyz
CocoRosie
in Noah’s Ark
Touch and Go Records, 2005
Комиссар (The Commissar)
Aleksandr Askoldov (direction), Valeri Ginzburg (photography), Alfred Shnitke (music), et. al.
Gorky Film Studio, 1967
Die Toten (The Dead)
Hans-Peter Feldmann
Feldmann Verlag, 1998
Manipolazione di Cultura – Manipulation der Kultur (Manipulation of Culture)
Fabio Mauri
La Nuova Foglio Editrice, 1976
The Map
Kikuji Kawada
Nazraeli Press, 2005
reedition of original book 地図 published by Suppan-sha on 1965
The Last Cosmology
Kikuji Kawada
491, 1995
From Nagasaki Days (Everybody’s Fantasy)
Philip Glass
in The Hydrogen Jukebox
based on poems by Allen Ginsberg
1990
Ausência (Absence)
Vinicius de Moraes, Marília Medalha
in A Canção e a Voz de Marília Medalha na Poesia de Vinicius de Moraes
Universal, 1972
And finally how social media reflects the session:
BJ_Cires on storify
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